Tuesday, January 29, 2008

A very sad week


It's taken me quite a few days to articulate how I feel right now. Several friends have called and I haven't had it in me to return them. If you're reading this, maybe this will explain why.

Never have I questioned this industry we call "entertainment" more than I have this week. Everyone in Hollywood is grieving for Heath Ledger (I'll write more about that later - let's let the dust settle a bit). The elections are next week, and the rains haven't stopped. I'm trying to make campaign calls for Barack Obama, but I don't know how effective I've been because I've been so sad. I never knew Heath personally, but I feel like I did.

In 2005, on my birthday, David and I attended the New York premiere of Brokeback Mountain and sat in the row behind him. He seemed almost embarrassed by all the attention, and he really kind of kept to himself, especially at the after party. He looked like a combination of a man and a boy in his dark suit, a little awkward and impatient to get the night over with. I wanted to approach him, tell him how wonderful I thought he was, but I instinctively kept my distance. I didn't realize until that night was a true artist he was, how transformative and intelligent in a way that surpassed his years (he was 26 at the time). Anyway, here I am, already waxing on as if I'm writing a tribute. I need to save that for later.

When I got the news last week that he was gone, it didn't seem real. It still doesn't seem real.

In the midst of this tragedy, we now have some nutjob imposter claiming to be Heath's father, calling everyone in town, trying to get phone numbers of celebrities. Incredibly, he has managed to reach several A-listers and have lengthy conversations with them. He has caused an unbelievable amount of damage. See today's New York Post for more details on that. The story is all true.

What kind of world do we live in that spawns people like this? Is he a tabloid reporter? A loner whackjob who just wants to talk to celebrities? This loathsome individual has made a lot of people very paranoid, distrustful of whom they are talking to, and more stressed out than they were when they first got the news. I hope this person is found, prosecuted, humiliated, and hung.

I keep telling myself this has nothing to do with reality. We do live in a bubble out here. I kind of miss the days of Nashville, when I naively believed everything I read, anything I was told. When I was actually "in awe" of movie stars and Hollywood. I couldn't wait to pack up my Toyota and make that drive across the country. How silly it all seems now.

But Heath was the real deal. He wasn't driven by money or fame; he truly loved acting. I understand that. So in spite of the distaste and the disillusionment I've experienced this last week, I still somehow have hope that there is some meaning to all this.

The picture above was taken here in LA during a break in the rain. As I was driving to work last week, I drove under a rainbow that looked exactly like this. They were everywhere. I had never seen anything like it.

Come to think of it, that was Tuesday. That was the day Heath died.

Friday, January 18, 2008

WGA Strike - a view from Beverly Hills

My day gig is working at an entertainment law firm in Beverly Hills, and for the past three months, the atmosphere has been tense, uncertain, and a little scary. None of us got raises at the end of the year (in anticipation of the strike lasting for months and months)...clients have lost their overall deals at studios...writers are sitting around waiting to get busy...and the foot traffic on Rodeo Drive has dwindled to tourists from Asia and Europe. I have friends who aren't working at all -- my friend who works as a 1st Assistant Camera woman, is selling stocks to survive.

In theory, I'm in full support of the writers and what they are asking for (a legitimate piece of the pie). I'm all for the little guy. But it's time for this to end.

The DGA (Directors Guild of America) struck a deal yesterday, after only a few days of negotiations, and from what I'm hearing, the terms are pretty decent.
At this point, I have to seriously question the leadership of the WGA, and the way they went about this. This is not the garment industry. This is an industry of compromise, of give-and-take, of negotiating. I know what I'm talking about - I listen to it all day long. I'm privy to conversations most people only read about, after the fact.

The fact that the DGA was able to accomplish this deal so quickly really sheds light on it all. Maybe the studios just don't take the writers seriously. Maybe there's a lack of respect there. And if that's the case, why is that the case?

I really hope the writers will go back to the table (they've been invited) and use the DGA's agreement as the basis for their own negotiations. At this point, they'll look pretty bad if they don't.

Then again, there's always the chance that the WGA leadership could convince their members to hold out, wait for the actors to join them in June...at which point the town will shut down, and I might as well pack it up and move back to Nashville.

This will be an interesting week....

Monday, January 14, 2008

"Spare Change: Change vs. Experience - Clinton vs. Obama" - excerpt

I just came across a brilliant post by my dear friend Andy Bonime. He articulates this better than I can, so I am pasting an excerpt. To view his entire article, go to cloudshine.wordpress.com

"Senator Obama, in my estimation, represents the most visible and visceral, if not symbolic break with the past. This country has undergone severe damage under George W. Bush. Aside from the measurable issues and events we all know about, the one truly damaging effect of the Bush presidency is the destruction of the American spirit and sense of who we are and what we stand for. You cannot claim that our enemies hate us for our freedom, and then use their existence as an excuse to destroy that very freedom. The willingness to fear-monger away the principles this country was founded on is an arguably treasonous and reckless disegard for the very bedrock philosophical basis for this country. Those freedoms so easily compromised are embodied in the very symbols of this country that those who destroy it so often put forth as if they ARE the country: The flag, our troops, our Constitution, The Declaration of Independence. Those are all symbols that politicians invoke when they want to stand as the apotheosis of the American ideal. Yet those symbols stand for something. And that something has been lost under the current President. We no longer have a right to be “Proud to Be an American” if that America condones torture, starts preemptive wars, and uses the tragedy of 9/11 as an excuse to move our democracy toward tyranny."

Saturday, January 12, 2008


Tonight I joined our local neighborhood phonebank for the Barack Obama campaign, and for the first time in my life, I am actually volunteering for a political candidate.
I've never been political.
I'm not one of these people shoving her opinions down anyone's throat.
I don't even like to share the few strong opinions I have.
But this is different.
I grew up in the era of Nixon and Watergate, the Tennessee Governor Ray Blanton scandals, and a racially divided atmosphere. Politics were dirty, it was just accepted, and eventually you learned to close your eyes and ears to it all.
But for the first time ever, I truly feel something in the air, a feeling that change could actually happen.
Imagine a government whose leader wasn't put there by lobbyists.
Imagine a President you actually listen to, and believe.
Imagine a country you might actually be proud of, an imperfect country trying to get it right.
It really sounds too good to be true, but for the first time, there's a light burning somewhere in a lot of people...a light that could lead the way to a different kind of leadership.
And I'm all for that.
Barack Obama is a unifier, not a divider, and that's the #1 reason why I made that decision today to help out the local phone bank.
Who knew? I guess I can change too....

ENTIRE DISCOGRAPHY NOW AVAILABLE FOR PURCHASE

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It Had to Be Swing - 1999

Unkissed - 2000

That's What Christmas Used to Be - 2001

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